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However, it was written by Jordan, who used his wife's name to enable him to work with an additional music publisher.

Jordan later commented, "Fleecie Moore's name is on it, but she didn't have anything to do with it.

I am not saying there is an excuse why he did it, but there is a reason.

And knowing the reason can be therapeutic in a way.

That was my wife at the time, and we put it in her name. Her name is on this song and that song, and she's still getting money." Jordan also filmed a "soundie" performance of the song, which was shown in movie theaters.

At the same time as Jordan's success, the song was also recorded both by Erskine Hawkins and Woody Herman.

In 1942, Jordan had started on an unparalleled run of success on the Billboard Harlem Hit Parade (forerunner of the R&B chart), which by 1945 had included four number-one hits, and eventually made Jordan by far the most successful R&B chart act of the 1940s.

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The issue of Billboard magazine for April 21, 1945, described Hawkins' version as "right rhythmic rock and roll music", possibly the first use of the term to describe a musical style, and pre-dating by 14 months a more often cited use of the words in a June 1946 description of "Sugar Lump" by Joe Liggins.